All Andrea del Castagno Oil Paintings

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
 

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Andrea del Castagno The Cumaean Sibyl oil on canvas


The Cumaean Sibyl
The Cumaean Sibyl
Painting ID::  29742
  mk67 Fresco transferred to canvas 98 7/16x60 5/8in
  mk67 Fresco transferred to canvas 98 7/16x60 5/8in

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Andrea del Castagno Farinata degli Uberti oil on canvas


Farinata degli Uberti
Farinata degli Uberti
Painting ID::  29743
  mk67 Fresco transferred to canvas 98 7/16x60 5/8in
  mk67 Fresco transferred to canvas 98 7/16x60 5/8in

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Andrea del Castagno Pippo Spano oil on canvas


Pippo Spano
Pippo Spano
Painting ID::  29744
  mk67 Fresco transferred to canvas 98 7/16x60 5/8in
  mk67 Fresco transferred to canvas 98 7/16x60 5/8in

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Andrea del Castagno Last Supper oil on canvas


Last Supper
Last Supper
Painting ID::  30416
  mk68 Fresco,width of wall Florence Convent of Sant'Apollonia 1447 ltaly
  mk68 Fresco,width of wall Florence Convent of Sant'Apollonia 1447 ltaly

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Andrea del Castagno Pippo Spano oil on canvas


Pippo Spano
Pippo Spano
Painting ID::  30418
  mk68 Fresco transferred to wood Florence,Uffizi. c.1448 ltaly
  mk68 Fresco transferred to wood Florence,Uffizi. c.1448 ltaly

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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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